richard rogers black booby re-edits return with bb07, which sees chi-town original and ron hardy protégé gene hunt - a black booby veteran from bb04 - digging out more vintage dat dopeness on the double-a-side, which features raw-as-hell analogue house workout *1015* (a take on the dion & tony track from his chicago dance tracks collection on rush hour back in 2011) alongside the very aptly-named (and appropriately drum-fuelled) *dr roland*. meanwhile on the b-side you will hear uk house music og terry farley sharing production duties with another 90s house veteran, stuart stretch silvester. *play house* (original mix) is a synth-heavy jacking houser with serious dancefloor intent, plus check out the kklassik mix by another chi-town don, k alexi shelby, who chases the original headlong down a dark alley littered with emotive samples and thumping keys.

as we move into a new year, again start the cogs of labels and artists around the world, this is certainly the case for disc over music as they bring us their first release of 2015. high off the back of exquisite releases in 2014 from luca lozano & mr. ho and nicson, disc over’s first installment of 2015 comes from label head tim green - a three track ep bursting with two classic tg productions and grooves which is then given another dimension with a remix from the talented german born producer borrowed identity. the ep kicks off with the aptly named ‘scar’ - a track which when heard, truly makes it mark. it sets the tone for the rest of the ep with it’s prominent bassline and haunting howls whilst dreamlike keys bounce and float above. track two, ‘we thought’ is taken down a gear but keeps all of the groove built from ‘scar’. it begins with a simple trademark tg bassline and is allied with light and free singular keys. the listener is then joined by vocals which along with the previous elements take you on a real trip. borrowed identity speeds things up right away with his remix of ‘we thought’. the track is morphed into a dancefloor groove with the comforting vocals darkened, cut and reworked on top of an unpredictable and fluctuating bassline. managing to keep the identity of tim’s original the track becomes something completely different and certainly makes you feel you want to take the trip

the globally trendsetting house and techno family that is visionquest now turns to a new pairing of sonny fodera & gene farris for their debut ep on the label. entitled ‘we work it’, the two-track affair comes with a remix by visionquest man lee curtiss. australian sonny fodera has been at the sharp end of the dance music scene for years now, clocking up huge hits both solo and with green velvet aka cajmere, releasing albums such as afterparties & aeroplanes and appearing on cajual, defected, suara and many more top labels. gene farris, of course, is a chicago house legend who has been active since the nineties, runs his own farris wheel label and has released close to one hundred definitive eps on relief, soma and many others. up first, ‘we work it’ is a lithe ritual of house funk with bent synths and slick mid tempo drums. a spoken word vocal snippet muses on the intake of various substances and the drums roll on infectiously below. it’s sure to be a standout anthem in the months to come given that vocal line and the spiritualness of the keys all around only adds to the effect. the first remix comes from lee curtiss. this one is a much quicker and more peak time bit of tech house with textured, dynamic bass and plenty of drum fills. it’s an involved, more cosmic and tense take on the original, that will build great pressure on the dance floor. all in all this is another on point package from visionquest that will get played far and wide

sze the new sister label from secretsundaze steps up with the second release in the shape of a killer ep from sheffield s lo shea (hope works / seaghdha). lo shea runs the excellent hope works venue in sheffield where he has invited everyone from robert hood to ben ufo to play. he has also released a string of great eps on his own imprint seaghdha. summa part 1 is pure unadulterated peak time party vibes. warm rhodes keys and a straight forward groove are juxtaposed by a huge bass line with...

oddball space disco tracks compiled from library tracks composed between 1975 and 1978. big tip!! from the early 70s to the mid-80s, this self-taught musician composed about twenty albums of production and library music with generic cover art and titles (out of the way, magical ring, keys of the future, pulsations, more and more, etc.) that evoke interstellar travel. these experimental discs, made with love, humility and rudimentary means, had no ambition other than to accompany other peoples images

having spent three years tirelessly growing the la vie en rose label from strength to strength, championing avant-garde house music and helping launch the careers of fresh new talent, label boss terence:terry: now steps forward with a string of his own works. inspired by his blossoming collective and following his recent remix of marcos baiano on lvr015, * acid heroes* ep contains three original terry productions truly for the club.the title track enters in strong punchy form, concocting deep industrial vibes and sinister vocals that echo into the darkness, until, half way through, it takes a more upbeat turn, lifted by reverberating synth chords. * cliché* slaps a little harder with a pounding bass and clashing symbols, before warming up with female wails and woos. a short, sharp taste of chord jabs and the journey builds up to what seems like the climatic futuristic ending, before melting into softer territory and a much welcomed infectious kick, for that last lease of life. rounding off with the murky, splashing number * testing the water*, deep keys and the expert layering of techno effects equals a sublime underground house track, most certain to arouse the dancefloor. * acid heroes* is served as the perfect appetiser to get you salivating before * house couture* , the first compilation from terence:terry: on lvr, mixing producers past and present, as well as a handful of unreleased future-gems to come on the label.

after bringing tears to glass eyes across the globe with the lovelorn beauty of oslo, nev cottee returns to aficionado with this 10inch beauty of spring promise. rather than the balladeer of his previous outing, this time round cottee stands inspired with the arcane knowledge of a prophetic troubadour, kaleidoscopic robes flowing behind him in the desert wind. at one with the cosmos, nev speaks the gospel from the heart, those warm vocals riding the swelling wave of soaring strings, frazzled guitar and undulating synth. driven by the percussive rumble of steady backbeat and lilting bongos, if i could tell you shimmers with the sun-blazed psychedelia of laurel canyon and the transcendent frequencies of summer madness before collapsing with a cascade of keys into a harmonic ocean all of its own. backed with the unadulterated healing frequencies of an instrumental version, this is another modern classic brought to you by manchesters finest selectors.

lead track is - calle sevilla that immediately commands attention with it s locked tight groove, piano licks and warm rhodes keys that lead us to the mighty bassline and we re already feeling the intensity. a synth riff comes in and builds to the main break and creates an atmosphere that takes us on a trip to the sunshine coast of maybe ibiza, right before it drops back in!

originally released in 1997, this early production from the legendary dutchman gerd has recently enjoyed a revival, the rare wax finding its way back into the sets of raresh, ryan elliott and bass culture label boss d julz, amongst a few happy others. after seeing on a number of occasions the magic effect ‘mass majestic’ could have on the crowd, the catchy hook appealing to all ears, d’julz knew what the next release had to be. with scarce second-hand copies hotly in demand, this secret weapon is about to see a new lease of life via bass culture. reissued in a remastered and slowed down version, ‘mass majestic’ is one of those tracks which stays on your mind long after the party is over ... the haunting keys, the intensity of the synths and the climax of clashing symbols, all driven along by the raw chugging bass-line makes this a peak-time winner. the flip side features ‘to reach’, another track from the original ep. a big room monster of rolling bass and syncopated keys, its old skool charm and brash energy grabs you to full-on, trippy effect. considered a prolific, timeless and highly eclectic producer, ‘mass majestic’ ep indulges in gerd’s blatant ballsy techno side, remaining an extremely effect dj tool 17 years on.

introducing the album comes track coma with thousands supa grove percussions and intergalactic keys driving you to a heart of a universe on supersonic speeds. next comes the viking and continues the ep with a serious intellectual sound containing analog vibes mixed with echo keys and drums. a track called akranes brings your mind to a called train passing through snowy siberia with million thoughts and a hot tea in a hand with eyes caught up by snowy fields behind the window. mud gives a shot and brings u down after all the illusions u have during listening an ep, this track will make you shaking in 2-3 seconds so hold on! a true analog sound in a quality pack is that what you prefer to get inside the monsters ep s. monster power!

yoruba records is proud to add glasgows vince watson to the family with his first release on the label. the techno heavyweight who has seen releases on planet e and poker flat, as well as his own bio imprint has departed from his previous work in this wonderfully crafted ep, which opens with the brilliantly ambient tune: a moment with lonnie. the more club friendly eminesence begins with a punchy, rolling bass line and then opens up with a hypnotic sweeping piano melody. the mid-track radiant breakdown is sure to capture the listener’s attention before coming full circle into a head-bob-inducing bass line driven groove. from there, the journey continues with the tribal-esque calypso, a melodic groove sure to get the floor moving. with its subtle keys and well-positioned claps this tune a friend of dance floors and home stereo systems alike. the release closes with under the skin, a well thought out afterhours track sure to bring any night to a smooth conclusion.

new york, early 90s, the haydays of the new york and jersey clubhouse!

entitled narita, the release is inspired by, and dedicated to, japan, and the tracks are a collage of all the experiences and emotions the producer has picked up there whilst on his travels. this release was also due to be the 44th on the label (which has now made it up to number 67) and so has clearly been cooking for a long time. once again it proves the man behind it to be focused on stripped back and hypnotic grooves, shadowy textures and subliminal synths that are abstract and truly heady. up first, sleepless is a spooky and hypnotic techno roller with icy pads and rubber drums that roll on like a haunted midnight train burrowning deep into your brain. ebisu is even more reserved, with just a light, skipping kick and tinkling, glassy keys suspending you in a wide open space of abstract atmospheric soun d. on th e flip side, mountain splitter is more urgent and immediate, with nervy pads this time racing alongside woodpecker precision and supple drums. it s heady stuff that really distracts you from the world before finally trance is a wash of grainy white noise and groaning synths that soundtrack a word deep down in the depths of the ocean. svreca is a master of getting deep inside both body and brain and does so in different but captivating ways with all four of these cuts.

musicalitys second release is a remake of the gil scott heron b-side *the klan*, featuring allan barnes formerly of the blackbyrds, and craig huckaby. the a-side has a wind and keys driven retro-funkiness, aided by latin percussion. kemeticjusts remix on the b glues everything together into a slightly faster house-tempo, increasing the propulsion, and likely causing lively dancing to break out. it was mixed by pirahnahead at united sound systems, and mastered by the legendary herb powers. musicality is the brainchild of producer/dj seth dedikate carter.

more quality deep nyc house sounds from 1992 (!) from the underrated yet mighty wayne gardiner aka classic man. two dope mixes of 5th street orchestration feature and bear all the hallmarks of gardiners understated, subtle funk. jazzy keys, plucked strings, deep as deep pads and some serious peech boys channeling take us deep into the new york night and straight to that after hours spot that weve always dreamed about! pure class!

when life gets tough, we always turn to music for physical and spiritual relief. we ve found that dancing to music with positive vibes brings us the joy and energy we need to get on with our daily rhythms. the four tracks contained on this disc are made for dancing. they fit perfectly in uplifting sets and are crafted to blend together with a wide range of house flavours. times are ruff understand what the soul needs to let go of the many forms of stress and pressures in life. we hope you enjoy the music as much as we have enjoyed making it and presenting it to you.

joe ashworth has marked himself out as one to watch over the past year with a string of underground cuts on waze & odysseys street tracks label, notably his collaboration with citizen, situation. he brings his textured, melodic sound to anjunadeep for the first time with debut release rebound / whatever weather. on rebound he showcases a nuanced approach, deftly blending strong techno influences with a delicate ear for melody. the twinkling, sometimes discordant keys that rise and fall throughout demonstrate an enviable maturity in joes productions. whatever weather is one for the dancefloor, revolving around an infectious bassline groove that rolls beneath crisp drums and more gorgeous flowing piano

brazilian-born, orlando-based hip-hop artist, niko is, readies his debut album, brutus, courtesy of talib kwelis javotti media. all production credits on the album are attributed to nikos longtime collaborator, thanks joey. this is nikos third body of work, following two mixtapes he released independently with the support of dj smallz and javotti media. while recording his previous projects, chill cosby and good blood, niko simultaneously worked on brutus.

möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. it s a band, producing, playing live but it s also a label created only for the trio productions. each releases will propose 3 tracks from the 3 artists. for that first one the famous trio propose 3 huges bombs mö4, mö5 and mö6, 3 huge techno killer using rough skins with raw edit. speech less and listen to that we can call pure techno. while carefully handling their respective careers, postponing then their obvious collaboration, möd3rn trio s members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge. the six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. of the distinct identities merely remains the ethereal, synthetic essence devoted to the group, and the common musical passion that leads it. the formula is elaborated freely: each one s adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing detroit s grieving sensibilities as well as last decade s bewildering cacophonies. the potion obtained is irresistible, an ecstatic hybrid, prodigiously actual, that renders all the genre s diversity and dynamism. chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label s releases.

very limited 2015 repress! supported by: tania vulcano, radio slave, matthias tanzmann, martinez, nick curly, johnny d, robert dietz, federico molinari, sis, steve bug, ryan crosson, deetron, ellen allien, ilario alicante, soul clap, kasper, brothers vibeà having established himself as a dj off the back of winning check magazine s dj contest and coming runner up in the red bull dj academy, the time has now come for jaffa surfa to spread the word via his impressive productions.throughly road-tested at his residency at hungary s roxy club , budapest s monthly party debut and in his regular european gigs, his early productions for the likes of bosconi and off have already picked up support from such names as dj sneak, lauhaus, mark farina, josh wink, osunlade and the revenge.today s three track release is possibly his finest work to date and kicks off with the serenely deep, classic beats and vocals of doin hauz . staying deep, u know delivers yet more oldschool sounds. built around a subtle rhodes riff and two stunning vocal samples, this 90 s tinged house cut oozes with sunshine vibes. final track drop it on is a more stripped workout. kick drum, snare and delicate keys are matched with a super spoken-word vocal

as per its penchant for cyberdelic enigmas, jimmy edgars ultramajic outpost is building a core of secretive producers. after closing out 2014 with a record from unknown newcomer crystal bandito, the label will return in 2015 with an offering from semi-anonymous beatmaker aden. the tracks on tanz, which is the german word for dance, are hewn from bouncing drums, vocal yelps, glittering keys, and a few functional white noise-infused breakdowns that pack a solid dose of energy and spirit. tanz 1 lieb is a gentle intermission from the eps intense vitality, with warm and soft pads that lay the foundation for blunted percussion. from rigid pumpers to soothing textures, the tanz ep contains a range of moods to fuel human bodies on the virtual dance floors

skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears ! what a special one we have here on skylax classic! damien zala, the man who put out the superb album ‘lonely happiness’ on rowtag records in late 2012, who gets heavy support from the great theo parrish, dishes up six special tracks for our next release. before diving in, it is well worth noting that a selection of damiens album tracks had remixes by the likes of house icons such as dj jus-ed, rick wade and boo williams! if those names register even the slightest blip on your radar, which they should, then this record might be the treasure youve been searching for. damiens sampling technique has a certain air of grandeur to it. shake vibration makes this apparent right from the start with intricate layers of vocals, guitar licks and keys. all my respect and come around both follow suit whilst dizzie picks up the b side with a bit more energy and frenzy compared to what has come before it. the record rounds out with two tracks taking things a bit deeper. stay where you are drives forward with filtered pad chords that accompany jazzy sax and vocal cuts while conversely, z to the jz brings in a moodier vibe with its jazz samples and smoky drums. do not miss the chance to get such a gem of a record from damien zala!, c l a s s i c ! a must to have in every djs collection. essential item no digital

iron curtis delivers his 2nd full 4 track ep for hudd traxx following up the huge stansfield ep in 2010. the opening track care demonstrates ics diversity as a producer as he lays down a killer bassline with melodic keys which will find its way into many big hitters bags. sing along with your friends has deep laid keys and an mcde esk feel to it accompanied by some heavy snares for good measure. flip for the b side and find shouting & screaming, a dark driving track that even spencer kinsey would be proud of.

six months after their last installment, shir khan and exploited drop another hot to trot collection of disco edits. as usual, there is much to excite, beginning with the familiar guitar solos, rhodes keys and dub disco pulse of antilopes *singing ghost* rework. death on the balcony keep up the reverb and delay-laden dub disco theme on *addict for your love*, whose rubbery groove, twinkling pianos and heady vocals have been expertly rearranged to fit house dancefloors. finally, matpat go loop crazy on the thumping disco house cut *only you* which sits somewhere between rahaan and soundstream. excellent stuff all round.

the title track offers up a delicious concoction of rhodes keys and smoky jazz inflections before a brittle synth and snatch of soulful vocal usher in an entrancing chicago groove. utterly moreish, it s a tune to stick on repeat. philpot label founder jackmate s devilishly playful version does exactly what a remix should do: give the original tune s elements a fresh twist while respecting its distinctive spirit. a pounding kick, astonishing in its rippling intensity, underpins off-kilter and pitched-up samples that somehow hold together for an exhilarating ride. -fish paul- marries spacey eno-esque drones to a pounding beat and crackling interference. testament to gaiaschi s years of directing and promoting parties and his dj residencies at milan s dude and tunnel clubs, it s a tune that embodies a fine-tuned understanding of the dancefloor. -the point- rounds things off with bright keys and crisp claps, to build a dreamy, skilfully layered groove.

allnite music 002 brings alex agore with some of his best works so far. both *basement jam* and *be someone* tracks strikes right the middle of the target, somehow between his earlier 4lux works and his no matter what hot dancefloor stuff. on b side, apoena presents two grooved house tracks with jazz sounding keys cut directly from vinyl. just a killer 4-tracker!

paper disco are back on vinyl ahead of their forthcoming trash the wax vol. 2 and two totally exclusive tracks. leon sweet launches things with sunny bigler that has a moroder style bass and plaintive male vocal designed to make grown men cry on dance floors. italian master blaster shares the same side rocking his trademark edit chops with games whch will only be seeing the light of day on this wax. turn it over and yam who makes an appearance with natasha watts and paper tea boy chris massey on remix duties. its floor heavy 4/4 disco with modern production and dynamics that will slot in to any discerning box. the second exclusive comes from oslo young bucks de fantastiske to who offer up a more house take on disco. gimme sum dim sum has a shuffling backbeat, lush keys and chords to give it an organic garage feel that tips a wink to the best that new york has to offer.

limited hand stamped 7 inch, we can t remember the last time we came across a 7- single of straight-up deep house. certainly, it s a novelty, though there s little novel or cheeky about the two tracks showcased on this diddy, coloured vinyl release from spain s minuendo label. 2deepsoul s a-side, -home-, is effortlessly melodious - a warm, rich and enticing blend of shuffling rhythms, swirling chords and the kind of blissfully electronic melodies that make you want to dance with your eyes shut. there s a more organic and quietly soulful feel about owen jay and melchior sultana s flipside effort, -deserted-. blessed with a delicious double bass line, bespoke keys and a whisper of motor city techno (in terms of the electronics, at least), it s a sublime chunk of sensual deepness.

finale sessions is proud to bring another fine release from none other then nick lapian from soul people music fame and amoung other fine labels worldwide . we at finale sessions welcome nick to our family and our system here at finale sessions with his fatastic tracks that s sure to please your ears and we start with the first track and it called -lost days- it has such movement to it with its rolling pads and its systemmatic keywork and deeep basslines is a must haqve for the record bag for sure . then we have -pigment which is a mid tempo dream come true with it acidy pad synthed structure and lush keys and wicked drum work it is 1st hour monster for sure . then last but not least we have -motif- which is peek time killer with its nice key work and its nice pads layering into a nice kick perfect for a b side jam and that what we have for finale sessions 023 we hope you enjoy the next generation from the forward thinking vault.....we want to thank you for the ongoing support .....love finale sessions god bless you

the new studio album from linkin park with exclusive artwork and special etching on side d of the double-vinyl, housed in gatefold sleeve.

therefore their latest release on kittball is one that will fall on thousands of eager ears, particularly as each track is produced in collaboration with three of the label s favourite artists. in the shadows is the first on the release, a track created alongside ante perry that contains a murky bassline, funky guitar plucking, and fluttering vocals - a peak time party number. in reliquia the duo team up with paji for a gloomy production comprising sweeping synths, melodic keys, and a distorted spoken sample. it is a deep and atmospheric affair that will make for some spine-tingling moments on any dancefloor. tying up the release is a collaboration with in.deed titled highness , a poignant cut complete with sultry synths, elegant chords, and rich low-ends, until subtle keys trail off concluding a fresh and innovative release.

12 inch hand stamped white label coloured vinyl
onur s 2012 single gets new life with a trio of red hot remixes: chicago s own glenn underground outdoes himself with a jazzy house remix complete with all new keys and horns b/w remixes from ptaki (who did the excellent -kalina- 12-) and inkswel

es gibt nur eine queen of soul: aretha franklin. am 24. oktober beehrt die 72-jährige, deren unangefochtene regentschaft seit mehr als fünf jahrezehnten währt, das sony music-label rca records mit einem neuen studioalbum. auf *aretha franklin sings the great diva classics* interpretiert sie zehn klassische und zeitgenössische songs großer und legendärer sängerinnen wie etta james, gladys knight, adele, gloria gaynor, barbra streisand, chaka kahn & whitney houston, alicia keys, dinah washington, sinead o connor und den supremes.

two original tracks by plants army revolver. this is a debut album about this new duo from italy. obscure techno with an aggressive bassline. on the b side, to complete the release, a mental remix of diaspora by echologist, the new project by brendon moeller (prologue/ electric deluxe). limited to 200 copies distributed world wide by triple vision keys words: aggressive, techno, mental.

ltd 2014 repress !!! groove charts pos 2. support from ricardo villalobos, cassy, roman flügel, dan curtin and more.. 2008 saw trelik return with the hugely popular re-issue of minimal mans make a move. now the label returns with a fresh offering from soul capsule aka baby ford, tomas melchior & tim hutton in the form of seekers which was recorded earlier this year in berlin. this 12inch features a remix from ricardo villalobos who tones down the vocals from the original mix & combines them with old-school chicago style keys that wouldnt sound out of place on a vintage glenn underground production. tough, stripped down beats accompany this, building effortlessly as the composition progresses making it one of 2010s most eagerly anticipated remixes from the great chilean.

washington dc collab between ppu and beautiful swimmers. check! comes with the soothing sleepy head with its laid back keys on one side and the gogo inspired funk of dunks on the flip!

t c f is the moniker of norwegian contemporary artist and experimental computer musician lars holdhus. his work explores themes of code, cryptography and privacy through the use of visual, sonic, built and written concepts. often the titles and descriptions of his work are written in cyphertext, the key to which is hidden within the piece itself. his forthcoming release on liberation technologies will further this cryptographic theme, consisting of digital and physical content containing the necessary keys to unlock the full meaning of the work.

wayne gardiner is something of an unsung hero in the deep house world. his productions on numerous labels (nervous, strictly rhythm, ibadan etc) under his own name, as classic man, logic, track masters and many more all have the perfect balance of rough and smooth, deep pads, jazzy keys, floating melodies and chopped vocal samples are all underpinned by tough driving beats and percussion creating his trademark sound. the ep features 2 mixes of killer a-side come on, do anything, 2 mixes of the slamming b-side cut i need you so bad and finally the basement jam which rounds things out. 5 tracks of pure 1992 nyc garage, one for true aficionados and house heads!

limited nice price action
after the huge success of plastik in 2007, we now bring you the next bomb from leeds based, simon baker. >x, y & z< original mix bears all the characteristics of a typical baker anthem, rolling percussion bouncy bassline and intricate melodies weaving in and out of the groove complete with a huge breakdown of twisted keys and pads, simple you might say but ultimately effective.

after the summer break, the explorers leave the coast to get back to the sea. the new adventure is called * greener ep* and is signed by kemetic just (nite grooves, ndatl, pooled music..) 4 track ep that includes remixes by volcov, above smoke and a dark deep explorer mix with brad peterson on the keys

london-based artist jonny cade has already enjoyed solid recognition for his releases on the likes of 2020 vision and morris audio. this time round, he raises his game once again for music is loves 10th release, dishing up a serious dose of house goodness aimed squarely at the dance floor.

santes new ep, hypnotic keys and melancholic vocals are layered over a rolling, groove-based percussion. the b side is a rare treat, a remix from techno heavyweight agoria.

chaise longue aka slikk tim delivers a fantastic deep cut with early deep house sound reminiscence of early guidance recordings, beautiful keys, deep baseline and a live guitar. bittersuite - straight up late night house music, deep and emotional pads with amazing keys, perfect track to complete the side side b delivers a exceptional track by a secret artist - not much needs to be said, just check the track & your understand what its all about. js gruvs is new guy from the french department, his track is deep groovy late night grover, accompanied by soulful keys and old school baseline, quality track - deep for the heads

two of the uks finest underground labels join forces and share their talent on this killer 12inch. from iib we have coyote s sin distracciounes, an upbeat sunkissed dancefloor meditation featuring the blissed out flamenco guitar of long time collaborator saro tribastone. futurboogies christophe remixes and chops up the guitar and adds some gypsymenesque organ stabs and layers of keys. futureboogies felix dickinson and jamie read drop the funky guitar heavy restless people. sublime chugging beats and a beautiful vocal refrain imploring slow it down creating a laidback house monster. iibs max essa puts his remix right in the middle of the dancefloor with straight up house vibes and extra percussion.

ltd 2016 repress
andres second ep on his own la vida label, following up the label debut new for u, which has been one of the biggest records of 2012. the second time around ep features the single skate this way, a house tune with epic strings guaranteed to bang the dance floor. on the flip is second time around and hart plaza both originally released on kdj records, but here we new versions with additional keys courtesy of detroits own amp dog knight. another essential release from andres...

huge d e l a n o s m i t h remix
negghead and lex wolf form acid mondays and together the two have released music with 20:20 vision, circus, deep vibes and illusion recordings. illusion give acid mondays the full treatment after the duos salvia sessions 12inch from last year sold out almost instantly. smith, who appeared on the original 12inch, provides an additional unreleased remix while deepblak label head aybees reshuffles the original, burying it deep in chords and reflective vocal delays. not to miss out on the production action acid mondays provide their own east end dub to watching eastwood and invite z records producer dan goldman to play keys over the top as jd73.

hailing from chicagos south side, the duo dar embarks lives in a world of underground techno and machines. their debut album, fleer ep, was recorded live on hardwares, no keys were played, just the pressing of buttons and turning of knobs. gathering its inspiration from records on the shelf, sci fi and comics, dar embarks remains steadfast in technotic efforts to interpret the future - our future.

first up we have some seriously funked up jazz disco business here, vocals have been stripped out apart from the line searching, fierce drums and percussion, baseline is just sublime with keys to die for singing out over the top, gorgeous guitar with soaring strings, extended to keep those feet happy on the dance floor.

the second chapter for bizarro group zanzibar chanel, the yin-yang collaboration of agitated force zac segbedzi aka imhotep and cooled out louis cl. raw nrg captured on the fly in melbourne, the sequence of these diy productions reflect their dynamic equilibrium. on the a-side, drunk at the jazz club lays down some lo-tech disco with submerged symphonic keys and the squelching demented valentine one question. flip the record donald duck invades the elevating chicago melodies of flying high - mustnt evolves pure evil extraterrestrial funk (shout outs to dungeon master possee).